From the author of Jar of Hearts, a mother driven to the edge by the disappearance of her son learns her husband is having an affair with the woman who might have kidnapped him. Four hundred and eighty seconds. That’s how long it took for someone to steal Marin Machado’s four-year-old son.
Marin had the perfect life. Married to her college sweetheart, she owns a chain of upscale hair salons, and Derek runs his own company. They’re admired in their community and are a loving family. Up until the day Sebastian is taken.
A year later, Marin is a shadow of herself. The FBI search has gone cold. The publicity has faded. She and her husband rarely speak. The only thing keeping her going is the unlikely chance that one day Sebastian reappears. She hires a P.I. to pick up where the police left off, but instead of finding him, she discovers that Derek is having an affair with a younger woman.
Kenzie Li is an artist and grad student—Instagram famous—and up to her eyeballs in debt. She knows Derek is married. She also knows he’s rich, and dating him comes with perks: help with bills, trips away, expensive gifts. He isn’t her first rich boyfriend, but she finds herself hoping he’ll be the last. She’s falling for him—and that was never part of the plan.
Discovery of the affair sparks Marin back to life. She’s lost her son; she’s not about to lose her husband, too. Kenzie is an enemy with a face, which means this is a problem Marin can fix. But as she sets a plan in motion, another revelation surfaces. Derek’s lover might know what happened to their son. And so might Derek.
Set in early 1980s Poland against the violent decline of communism, a tender and passionate story of first love between two young men who eventually find themselves on opposite sides of the political divide—a stunningly poetic and heartrending literary debut for fans of Andre Aciman, Garth Greenwell, and Alan Hollinghurst.
When university student Ludwik meets Janusz at a summer agricultural camp, he is fascinated yet wary of this handsome, carefree stranger. But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.
Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.
Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.
Welcome to the dizzying heights of New York’s Upper East Side: where privilege, partying and scandal rules.
And Anna K knows the rules by heart. Beautiful, rich and popular, she takes care to maintain her status as the perfect girlfriend, daughter and student.
Then a chance encounter at Grand Central station with notorious playboy Alexi ‘Count’ Vronsky changes everything. Anna knows she needs to avoid Alexi, but sometimes fate has other plans . . .
Soon Anna finds it impossible to resist him, and finds herself willing to risk everything she has to be with him – no matter the consequences.
After all, the course of true love never did run smooth . . .
Perfect for fans of Crazy Rich Asians, Gossip Girl and American Royals, ANNA K is an addictive, romantic and subversive reimagining of Leo Tolstoy’s timeless love story, Anna Karenina and above all, it is a story about the dizzying, glorious, heart-stopping experience of first love and first heartbreak.
On a stifling summer’s day, eleven-year-old Jack and his two sisters sit in their broken-down car, waiting for their mother to come back and rescue them. Jack’s in charge, she said. I won’t be long.
But she doesn’t come back. She never comes back. And life as the children know it is changed for ever.
Three years later, mum-to-be Catherine wakes to find a knife beside her bed, and a note that says: I could have killed you.
Meanwhile Jack is still in charge – of his sisters, of supporting them all, of making sure nobody knows they’re alone in the house, and – quite suddenly – of finding out the truth about what happened to his mother.
A modern-day Muslim Pride and Prejudice for a new generation of love.
Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn’t want an arranged marriage. Then she meets Khalid who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and dresses like he belongs in the seventh century.
When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.
Straightened. Stigmatised. ‘Tamed’. Celebrated. Erased. Managed. Appropriated. Forever misunderstood. Black hair is never ‘just hair’.
This book is about why black hair matters.
Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today’s Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look at everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women’s solidarity and friendship to ‘black people time’, forgotten African scholars and the dubious provenance of Kim Kardashian’s braids.
The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems in black hairstyles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don’t Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.